Bill Evans's Waltz
I was going through my Jazz piano albums and I really wanted to hear some Bill Evans. His piano playing is like no other. What prompted my search was an article on Scott LaFaro. The article takes about how well all three of these players including Paul Motian on the album were almost like psychic. The talked about how important Scott's bass playing was very cool and very much laid back. I continued reading the article as they talked about the moment that these three would play was like watching Moses part the Red Sea or something. What really got this going was remembering my friend and mentor who was at these shows in June of 61. We had countless conversations about Bill and Scott and Paul. As I told my mentor I would have loved to be in the audience watching these three change the world upside down. My mentor mentioned that these shows made him speechless and all other Jazz performances had to reach the hight this one had. When I often hit the Village Vanguard I try to remember many classic performances, this one is one I really wish I had a ringside seat to watch such genius in action.
I heard a lot more I wanted to hear without the teacher telling us about him. I read the notes inside on how they described Bill Evans as a pianist that all others would talk in high regard. Even reading other people's CD's they would talk about Bill Evans as the man that inspired them to pick up an instrument or play the piano. Tony Bennett was once interviewed and was asked about Bill Evans and was said that he was the best piano player he ever worked with. Well that got me thinking I should listen to him more and more.
Left to Right: Scott LaFaro, Bill Evans and Paul Motian. |
I would listen to him pretty religiously and always wanted to hear more of his material. Just before I went back to school in 2000 I bought a copy of his Biography. This book went in better detail then anything else I have ever read about him. It was one of the more interesting musical biographies in my collection. It tells the story not only of his life, but about his session work with Miles Davis and his solo material and why his choice of Paul Motian and Scott LaFaro. He once was interviewed and he said those are his favorite people to work with. The most intriguing fact about Bill was about his drug use and the fact that he knew he was going to die from it. He would play a song we all know called "Suicide is Painless" and it drew some attention to him and his use of drugs. Once in a while I hear him playing it on a CD that I own and it get's me thinking if he was still around playing what would he be listening to or performing.
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